![]() The only time Starr truly revamped his drum kit was for the recording of the band’s final two albums, Abbey Road and Let It Be. Starr also used Zildjian cymbals primarily in the band, with sizes ranging from 14-inch hi-hats to 20-inch ride cymbals. ![]() This setup would only vary slightly towards the end of The Beatles’ career. In 1963, Starr bought an oyster pearl Ludwig kit that would become iconic, complete with a 14-inch snare, 12-inch rack tom, 14-inch floor tom, and 20-inch bass drum. Througout almost the entirety of The Beatles’ career, Starr remained loyal to the Ludwig drum company. Ringo Starr had no other option than to sound like Ringo Starr. There wasn’t anyone who played like Starr, and he himself demurred on direct influences, stating that Cozy Cole was the only drum record he ever bought. He preferred match grip instead of traditional grip. He was left-handed but adapted to play on a right-handed kit. ![]() Starr’s style of playing was atypical from the start: with no formal training, all he could do was learn by ear. ![]()
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